The Wood Dragon

general summary for a person born in a Wood Dragon year of the Chinese calendar; outside astronomy

What the tradition reads

The Chinese zodiac is a calendrical tradition rather than an astronomical one, kept in this corpus as its own labelled system and never folded into a sun sign or a placement it happens to sit beside: it runs on the lunisolar calendar rather than on the ecliptic, and a year's animal and element are fixed by the date of the lunar new year, not by any planet's position. The twelve year animal cycle combines with the five element cycle, Wood, Fire, Earth, Metal and Water, each element holding for two consecutive years, to make a full cycle of sixty years before the same animal and element pairing recurs. The Dragon, fifth of the twelve animals, is read in the tradition as fortunate rather than merely swift: births in a Dragon year are, in the tradition's own terms, "considered to be lucky and have desirable characteristics that supposedly lead to better life outcomes," a good name the founding race gives a reason for, since the flying Dragon arrived only fifth despite its speed, having stopped along the way to do good rather than to win outright. Wood, the element of spring and of new growth, is read as quickening the Dragon's good fortune into fresh initiative and forward drive, a more ambitious version of the same quality that reaches eagerly for growth but can overreach.

The story

The Jade Emperor wondered why so swift and airborne a creature as the Dragon had not come first. The Dragon explained that it had stopped at a village to bring the people rain, and on its way to the finish had seen the Rabbit clinging to a floating log and given it a puff of breath to help it ashore. The Jade Emperor, astonished at the Dragon's good nature, named it fifth of the twelve animals for choosing kindness over speed. Wood, the element paired with this particular Dragon year, comes from the Wu Xing, the five phase system used across Chinese thought for cycles of generation and control: Wood is placed in the east and in spring, a period of growth whose expansion generates vitality and movement, associated with wind, generated by Water's nourishment and, in the same cycle, giving rise to Fire, which it feeds as fuel. The Dragon and the Dog stand directly opposite one another in the twelve year wheel, six years apart, and the tradition names that particular pairing one of the six clashes, the oppositions across the cycle it considers most likely to produce friction rather than ease. Against that, the tradition pairs the Dragon with the Rooster in what it calls one of the six harmonies, a match it reads as running more easily than most.

Written from

Corpus key chinese:Wood-Dragon.